Lee Price: American Figurative Realist Oil Painter

Lee Price

Working out of New York this contemporary oil painter focuses on overhead self-portraits.  The viewer is positioned directly above the subject, forcing a literal play-on-words of the viewer looking down on the figure.  The figure's posture responds to this overhead view sometimes with tight-crouching shoulders that hide the body or sometimes with a more relaxed but heavy pose.  Figurative heaviness is apparent in all of her works exemplified by the presence of weighty foods.  The food in combination with settings of bathtubs, beds, and comfy chairs suggests the figure is fetishizing lethargic activities.

Full, Oil on Linen, 44” X 54”

Lemon Meringue, Oil on Linen, 32" x 72"

Price has commented that her works are a comment on "body image, feminism, and our cultural relationship to food."

Butter, Oil on Linen, 66" x 44"

What sparks questions for me in her work is the process.  To capture self-portraits that feature the full body from an overhead angle she must work either with a large-mirror (most obviously) or photographs.  (Or she very adequately renders figures without looking at any reference)  So if she does work from a photograph (to be able to render the proportions of her back, such as in the piece above) why paint it? She can many these works using photography.  Contemporary artists must continuously be conscious of the effects of technologies on the appreciation of art.  These are immensely impressive realist paintings show off her skill as a painter, but what about painting is important for the viewer to understand this piece?

http://www.leepricestudio.com/painting13.html